Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson portratt av marit gardellericson oil


portratt av marit gardellericson
Painting ID::  65571
portratt av marit gardellericson
1897 se
1897 se
   
   
     

Carl Wilhelmson vid vastkusten oil


vid vastkusten
Painting ID::  65572
vid vastkusten
1898 se
1898 se
   
   
     

Carl Wilhelmson trott oil


trott
Painting ID::  65573
trott
1898 se
1898 se
   
   
     

Carl Wilhelmson frukost oil


frukost
Painting ID::  65574
frukost
1898 se
1898 se
   
   
     

Carl Wilhelmson systrar oil


systrar
Painting ID::  65575
systrar
1898 se
1898 se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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